Photographing static objects like bowls of colourful fruit on black Perspex with a stained glass backdrop casting multi-coloured washes across the image is relatively easy – Oh boy, I could be in trouble, I can’t believe I just said that? I can just imagine hundreds of ‘still life’ and portrait photographers saying ‘What did he just say, did I hear easy? Who is this guy?’
According to Daniel Mule, Photographing youngsters and creatures is saved for the daring hearted – with tons of persistence and perhaps some consolation from Jack Daniels. I’m not certain who ought to assume the acknowledgment for the expression ‘In case you’re searching for a sorted out and a serene shoot – avoid kids and creatures’, however whoever articulated that significance realized what they were discussing. By the same token there are numerous picture takers and film creators who have stacked their honors on the mantle piece by delivering shocking work.Daniel is arguably one of the foremost wildlife photographers. He is passionate about birds and is specializing in bird photography. In documenting birds through his photographs, he has developed a style of technical excellence combined with a captivating story. His journey included carrying his photography equipment and outdoor gear up high mountain peaks, across lakes and rivers, and over glaciers and lava fields.
The truth is if you’re shooting in a controlled environment, you’ll most probably have your camera mounted on a tripod with a bunch of assistants moving in and out tweaking the lights, dressing the shot meticulously through the lens creating a relaxed environment. The classic studio shoot. But you have to agree that photographing a Leopard chasing his lunch is a totally different ball game.
Hitting a static target at the shooting range is difficult enough, but it takes a special skill to hit the same target if it’s on the move. Moving objects create a whole new set of problems and mindset. Instead of the luxury of a composed lit frame with exact apertures and wide lenses, you are thrown into unpredictable moves that directly impact on your film speed, your focus, the amount of available light and the choice of lens. It also drastically increases the production of endorphins that jack up your adrenaline level,click here to read more.